10-UNIT SYSTEM is a novel furniture concept designed by the Japanese architect Shigeru Ban in 2009. The fully modular system is based on L-shaped units that can be combined in all sorts of ways to make furniture, a chair, a table, a bench. Putting furniture together and disassembling it is made easy by the ingenious yet simple design. The standard colours of the 10-UNIT SYSTEM are black and white; other colours are available on request.
Sustainable material innovation
The highly ecological and ethical 10-UNIT SYSTEM is made from UPM ProFi, an environmentally innovative wood plastic composite. Its principal raw materials are recycled paper and plastic. The composite has proved to be tough and humidity resistant. It is an environmentally sustainable material that can be disposed of by incineration, or recycled back into the production process. All materials in the composite are non-toxic.
Continuity of a successful co-operation
Artek, Shigeru Ban and UPM continue their collaboration from earlier years. "Space of Silence", the Artek Pavilion designed by Shigeru Ban for the Milan Triennale Garden in spring 2007, was built from the UPM ProFi wood plastic composite. The pavilion was based on a structural unit that was repeated multiple times to form an elongated exhibition space. The Artek Pavilion was extraordinary proof of the efficiency of systems thinking and repetition, distinctive of Ban’s architecture and design.
- UPM ProFi wood-plastic composite.
- Height: 84 cm / 33.1 Inch
- Seat Height: 44 cm / 17.3 Inch
- Width: 40 cm / 15.7 Inch
- Depth: 44 cm / 17.3 Inch
- Ships unassembled in a Carry Away package.
- The product options with the (q) label are designated as Quick Ship by Artek.
Artek was founded in 1935 by Alvar and Aino Aalto, Maire Gullichsen and Nils-Gustav Hahl. The business idea of the company was “to sell furniture and to promote a modern culture of habitation by exhibitions and other educational means.” That was the beginning of Artek.
The Artek collection comprises design furniture and lighting fixtures by the Nordic masters Alvar Aalto, Ilmari Tapiovaara, Tapio Wirkkala and Eero Aarnio. The latest addition to the portfolio consists of products by Yrjö Kukkapuro. The masterpiece of Kukkapuro, the Karuselli chair, will be
re-launched on the market in the beginning of the year 2014. In addition to classics, Artek is also launching new generation design products under the Artek Studio brand. Alvar Aalto’s furniture represents an interpretation of Scandinavian modernism articulated primarily in Finnish birch wood. Wood and functionality are both hallmarks of the Artek collection. The Artek portfolio represents the most comprehensive collection of wooden design furniture in the world.
Artek has international sales offices in New York, Berlin, Stockholm and Tokyo. The domestic market accounts for 60% of the company’s turnover, with Artek holding a solid position in the Finnish consumer and contract market. Vitra’s design classics have for a number of years been an important part of Artek’s collection for the Finnish market. Artek operates four stores in Finland, as well as a wide retail network.
Artek 10-Unit System Chair Designed by:
- Shigeru Ban , 2009
""A committed teacher who is not only a role model for younger generation, but also an inspiration."
Shigeru Ban is a Japanese architect, known for his innovative work with paper, particularly recycled cardboard tubes used to quickly and efficiently house disaster victims. He was profiled by Time magazine in their projection of 21st century innovators in the field of architecture and design.
In 2014, Ban was named the 37th recipient of the Pritzker Architecture Prize, the most prestigious prize in modern architecture. The Pritzker Jury cited Ban for his innovative use of material and his dedication to humanitarian efforts around the world, calling him "a committed teacher who is not only a role model for younger generation, but also an inspiration."
For Ban, one of the most important themes in his work is the "invisible structure". That is, he does not overly express his structural elements, but rather chooses to incorporate them into the design. Ban is not interested in the newest materials and techniques, but rather the expression of the concept behind his building. He deliberately chooses materials to further this expression. Ban fits well into the category of "Ecological Architects" but he also can make solid claims for being modernist, a Japanese experimentalist, as well as a rationalist.