Modern Furniture, Lighting, and Home Accessories

Always Authentic
FJ 5310

Finn Juhl Reading Chair

Brand

finn juhl
Starting at: $1,222.00 CAD
$1,222.00 CAD

Description

The Finn Juhl Reading Chair is a chair of many possibilities. Designed in 1953, it is called Reading Chair because of the horizontal frame on the seatback. The Reading Chair features an ergonomic design that sits comfortable in a variety of position. You can even MORE INFO

Product Options

DesignerKvadrat
Material
  • New Wool90%
  • Helanca10%

Tonus 4 is a colour update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterised by rare colour richness.

The story behind Tonus starts at the end of the 1960s, when the furniture manufacturer Kevi A/S introduced the Jørgen Rasmussen office chair. The chair was in a sculptural form, which made upholstering it complex and expensive. The search for a stretchable fabric began and this led to the development of Tonus.

Now recognised as a classic textile, Tonus brings colours to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colours have been increased.

The new earthy, golden tones in the palette are taken from Nina Koppel’s original colour archive. They show her brilliant sense of colour, which reflects that she mastered all facets of the colour design from the warm tones associated with spices and Oriental mysticism, to the cooler Nordic aquamarine colours.

  • 0100
  • 0118
  • 0125
  • 0128
  • 0129
  • 0130
  • 0131
  • 0132
  • 0135
  • 0207
  • 0210
  • 0216
  • 0224
  • 0240
  • 0244
  • 0364
  • 0374
  • 0394
  • 0424
  • 0440
  • 0454
  • 0464
  • 0474
  • 0508
  • 0554
  • 0605
  • 0608
  • 0609
  • 0610
  • 0613
  • 0615
  • 0619
  • 0631
  • 0634
  • 0636
  • 0654
  • 0664
  • 0684
  • 0690
  • 0754
  • 0764
  • 0854
  • 0914
  • 0934
  • 0954
  • 0964
  • 0974
DesignerKvadrat
Material
  • New Wool Worsted92%
  • Nylon8%

Clara 2 is a colour update of Clara, a woollen upholstery fabric designed by Anne Birgitte Hansen.

Clara is available in sets of reverse colourways. One version is unicoloured and interwoven with melange stitching, while the other is with unicolour stitching on a melange background.

The melange yarns add depth to the look of Clara and combine to vibrant effect with the unicolour yarns. The fabric, which changes appearance according to the position of the viewer, projects a strong sense of volume and richness.

The new colourways add further bold tones, such as golden yellow and deep magenta, as well as more understated, earthy shades, like anthracite, to the palette. In doing so, they ensure that versatile Clara offers an even greater number of opportunities for mixing and matching.

While Clara is clearly suited for use in pairs, it also works very well with other melange and unicoloured textiles, thanks to its flexible design and colourways. It is suitable for both contract and private use.

  • 0144
  • 0148
  • 0184
  • 0188
  • 0244
  • 0248
  • 0273
  • 0277
  • 0384
  • 0388
  • 0423
  • 0427
  • 0544
  • 0548
  • 0643
  • 0647
  • 0793
  • 0797
  • 0884
  • 0888
  • 0933
  • 0937
  • 0983
  • 0987
DesignerKvadrat
Material
  • New Wool Worsted90%
  • Nylon10%

Canvas is a refined woollen upholstery textile, which comes in seductive yet subtle colourways inspired by women’s couture. Crafted by acclaimed designer Giulio Ridolfo, it has a vibrant and intriguing look: from a distance it has the calm expression of a unicoloured fabric but, as you get closer, it reveals shimmering colour nuances, delicate contrasts and an elegant structure.

Featuring a relatively voluminous and soft weave, Canvas is constructed from material dyed yarns and, consequently, offers exceptional colour richness. Its yarns comprise up to three colours and, as two differently coloured yarns are used to create every colourway, each combines up to six hues. This combination gives the textile a particularly lively and individual character. Giulio Ridolfo: ’Canvas highlights how beautiful a yarn can be and projects a strong sense of craftsmanship.’

To craft the sophisticated and versatile palette for Canvas, Giulio Ridolfo blended subtle tones, creating a variety of graceful shades and highlight tones. In doing so, he developed colours, which he describes as, ‘unpredictable greens, warm greys and radiant dawn-like tones’.

Many of the colourways for Canvas complement those of Remix 2, another fabric crafted by Giulio Ridolfo for Kvadrat. The textiles share key characteristics: they are made from wool, are material dyed and combine colours in a similar way. However, whilst the fabrics share attributes each has a very distinctive personality: as Canvas features a more pronounced structure than Remix 2, colours emerge from it in a bolder way.

  • 0114
  • 0124
  • 0134
  • 0154
  • 0174
  • 0224
  • 0244
  • 0254
  • 0264
  • 0364
  • 0374
  • 0414
  • 0424
  • 0454
  • 0614
  • 0644
  • 0654
  • 0674
  • 0684
  • 0694
  • 0734
  • 0764
  • 0794
  • 0854
  • 0954
  • 0964
  • 0974
  • 0984
DesignerKvadrat
Material
  • New Wool Worsted90%
  • Nylon10%

Remix is a woollen upholstery fabric, created by the acclaimed Italian designer Giulio Ridolfo.

Remix is made from melange yarns, with each thread consisting of three different colours. For each colourway, two different threads are used. The result is irregular colours playing across the surface of the fabric. It is available in many colours, ranging from burnt reds and oranges, dusty blues and greens and subtle charcoal tones to natural shades of yellow, beige and sand.

  • 0113
  • 0123
  • 0133
  • 0143
  • 0152
  • 0163
  • 0173
  • 0183
  • 0223
  • 0233
  • 0242
  • 0252
  • 0362
  • 0373
  • 0383
  • 0393
  • 0412
  • 0422
  • 0433
  • 0443
  • 0452
  • 0543
  • 0612
  • 0632
  • 0643
  • 0653
  • 0662
  • 0672
  • 0682
  • 0692
  • 0722
  • 0733
  • 0743
  • 0753
  • 0762
  • 0773
  • 0783
  • 0823
  • 0842
  • 0852
  • 0873
  • 0912
  • 0923
  • 0933
  • 0942
  • 0954
  • 0962
  • 0973
  • 0982
DesignerKvadrat
Material
  • New Wool70%
  • Viscose30%

Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated colour scale: Hallingdal 65.

Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the colour. Both materials are dyed before they are spun, which highlights the rich texture of the fabric. The versatile palette includes neutral and strong, primary colours, as well as the designer’s favourite hues: turquoise and pink.

Hallingdal has been continually produced by Kvadrat since the company was established. To this day, it remains one of the best selling textiles of the Kvadrat collection. Over the years, the versatile design has been used in a wide variety of interiors, including private homes, hospitals, airports and trains.

  • 0100
  • 0103
  • 0110
  • 0113
  • 0116
  • 0123
  • 0126
  • 0130
  • 0143
  • 0153
  • 0166
  • 0173
  • 0180
  • 0190
  • 0200
  • 0220
  • 0224
  • 0227
  • 0270
  • 0350
  • 0368
  • 0370
  • 0376
  • 0390
  • 0407
  • 0420
  • 0457
  • 0526
  • 0547
  • 0563
  • 0573
  • 0590
  • 0596
  • 0600
  • 0657
  • 0660
  • 0674
  • 0680
  • 0687
  • 0694
  • 0702
  • 0723
  • 0733
  • 0750
  • 0753
  • 0754
  • 0763
  • 0764
  • 0773
  • 0810
  • 0840
  • 0850
  • 0890
  • 0907
  • 0944
  • 0960
  • 0968
  • 0980
DesignerKvadrat
Material
  • New Wool100%

Divina means heavenly, or divine, and the name has been chosen for this product because of the way colours can be expressed in the material. Finn Sködt has sought inspiration from the fantastic illustrations which often accompanied books in the middle ages. These were called “illuminations” because of the way they literally illuminated the page. The effect of these book illustrations was produced by the use of clean, clear primary colours, and it is this principle which the designer has sought to recreate in the Divina range. The result is a set of colours which assert themselves and illuminate the products for which they are used.

Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being coloured. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt. The material shrinks by 25-30% during this procedure, and the process can be illustrated by imagining a wool sweater which has been washed at too high a temperature. The result of this kind of processing is called cloth weaving and it is used for finer textures such as uniforms and plaids.

  • 106
  • 154
  • 171
  • 173
  • 181
  • 191
  • 224
  • 236
  • 246
  • 334
  • 346
  • 356
  • 376
  • 384
  • 393
  • 426
  • 444
  • 462
  • 526
  • 536
  • 542
  • 552
  • 562
  • 584
  • 623
  • 626
  • 636
  • 652
  • 662
  • 666
  • 671
  • 676
  • 684
  • 686
  • 691
  • 692
  • 696
  • 712
  • 742
  • 756
  • 782
  • 791
  • 793
  • 826
  • 836
  • 846
  • 856
  • 876
  • 886
  • 893
  • 922
  • 936
  • 944
  • 956
  • 966
  • 984
DesignerKvadrat
Material
  • New Wool100%

After a period with stark, simple, single-colour design as the main trend in architecture and interior design, Kvadrat chose to go for a more warm, soft and human style within the contract furnishing market. This is where mélange upholstery fabric was launched.

Kvadrat very successfully introduced the Tundra and Flora mélange woollen upholstery fabrics in 1997. In 2000, the company presented Tonica, a mixed wool furniture fabric specially designed for the office furniture sector, which retains its look and feel even during hard everyday wear in offices.

The main requirement of Tonica was to obtain a blend in the surface of the fabric while retaining the solid colour expression, so that you get a clear and vivid colour shadowed with black.

The colours of Tonica are created, by doing both a light grey and a dark grey mélange in the same colours.

In music, “tonika” is the keynote in a scale, a note where you feel “at home” because the melody in the mode concerned often ends on tonika. This feeling is elegantly transferred to the upholstery Tonica, which exactly expresses something safe and comfortable.

  • 111
  • 131
  • 132
  • 171
  • 182
  • 192
  • 221
  • 231
  • 272
  • 411
  • 412
  • 511
  • 512
  • 531
  • 532
  • 611
  • 612
  • 631
  • 632
  • 671
  • 672
  • 731
  • 732
  • 751
  • 752
  • 761
  • 762
  • 791
  • 792
  • 811
  • 812
  • 831
  • 832
  • 961
  • 962
DesignerKvadrat
Material
  • New Wool Worsted90%
  • Nylon10%

Steelcut Trio 2 is a hardwearing upholstery textile, which has the same construction as Steelcut 2. Designed by Frans Dijkmeijer and coloured by Giulio Ridolfo, it is now available in a wider choice of colours.

Like Steelcut 2, Steelcut Trio 2 features an innovative weave, which gives the fabric a three-dimensional surface resembling small pyramids or steel points and, despite the complexity of the weave, a simple and precise expression.

The difference between Steelcut Trio 2 and Steelcut 2 lies in the way they are coloured. Unlike Steelcut 2, Steelcut Trio 2 is yarn-dyed and made from 3 differently coloured yarns, often with very bright tones on the warp and lighter tones on the weft. This combination not only accentuates the three dimensional character of the weave, it also adds life to the fabric: though it looks unicoloured from a distance, different shades are revealed as the viewer gets nearer.

Giulio Ridolfo designed these shades by exploring the complex visual effects created by working with three different coloured yarns.

The new palette explores ‘the beauty and intensity’ of the fabric, and includes fresh whites, neutral skin tones, glassy light blues, terracotta, clay, dark indigos and unpredictable blacks. Giulio Ridolfo: ‘I concentrated on the most “iridescent” aspects of light, as I was looking for a rainbow effect. I paid particular attention to making every colour nuance vibrant.’

Tricoloured Steelcut Trio 2 combines well with unicoloured Steelcut 2. For example, upholstering a chair with Steelcut 2 on the seat and Steelcut Trio on back creates a particularly bold and contemporary look.

  • 0105
  • 0113
  • 0124
  • 0133
  • 0144
  • 0153
  • 0195
  • 0205
  • 0213
  • 0225
  • 0235
  • 0245
  • 0253
  • 0283
  • 0325
  • 0333
  • 0353
  • 0383
  • 0395
  • 0413
  • 0415
  • 0425
  • 0453
  • 0465
  • 0515
  • 0533
  • 0553
  • 0565
  • 0645
  • 0653
  • 0665
  • 0675
  • 0683
  • 0713
  • 0733
  • 0745
  • 0753
  • 0815
  • 0825
  • 0845
  • 0853
  • 0865
  • 0883
  • 0915
  • 0933
  • 0945
  • 0953
  • 0965
  • 0983
DesignerKvadrat
Material
  • Polyester100%

Nadir is thick and tactile, as it is also constructed with thick polyester yarns between its front and back layers. Its pattern is based on interlinking and overlapping rings in different sizes, which build an irregular, directionless pattern.

Though Nadir is knitted, its pattern appears to be stitched or embossed, depending on the specific colourway.

The front layer of Nadir is made of unicoloured polyester FR for added flammability resistance. Consequently, it is suitable for a wide range of contract applications, and is particularly well-suited to soft contract use.

  • 142
  • 182
  • 222
  • 242
  • 542
  • 742
  • 792
  • 942
  • 972
DesignerKvadrat
Material
  • New Wool Worsted90%
  • Nylon10%

Steelcut 2 is a hardwearing upholstery textile, which is an evolution of Steelcut in an additional colour scale. It is designed by Frans Dijkmeijer and coloured by Giulio Ridolfo. The fabric features an innovative weave, which creates a three-dimensional surface resembling small pyramids or steel points. This gives Steelcut 2 a simple, precise expression, despite the complex weaving technique used in its production.

Steelcut 2 works well with Steelcut Trio 2. The fabrics feature the same innovative weave, but are differently coloured: Steelcut 2 is unicoloured, whereas the colours for Steelcut Trio 2 are created by using three different toned yarns. When combining the 2 fabrics, a vibrant look can be achieved by, for instance, upholstering a chair with the solid colour of Steelcut 2 on the seat and tricoloured Steelcut Trio 2 on the back.

  • 110
  • 120
  • 135
  • 140
  • 155
  • 160
  • 180
  • 190
  • 220
  • 240
  • 255
  • 265
  • 365
  • 370
  • 380
  • 435
  • 445
  • 535
  • 545
  • 550
  • 605
  • 615
  • 625
  • 635
  • 655
  • 660
  • 685
  • 695
  • 760
  • 775
  • 780
  • 820
  • 835
  • 935
  • 950
  • 975
  • 985
DesignerKvadrat
Material
  • New Wool Worsted100%

The idea behind the Molly upholstery fabric was to create a basic material taking yarn as its starting point. Accordingly, the fabric is not dyed – the colours are derived from the actual wool mix. This gives Molly a delicate, sophisticated look.

Molly is 100% simplicity and 100% textile; a natural coloured upholstery fabric made from Norwegian carded woollen yarn and New Zealand combed yarn. This special combination gives the fabric its delicate, simple appearance.

Molly’s quality is not to be found in a colour palette or in uniform consistency but in the unobtrusive design of the fabric, the variations in the weave and the sensation of a genuine, natural product.

One of the great things about Molly is how suitable it is for use in combination. The Molly designs combine beautifully and Molly also combines very well with other textiles and materials in much bolder colours and designs. Molly’s great strength lies in its unobtrusiveness, purity and simplicity and this is what makes it so readily combinable.

Because Molly is undyed, there will be natural colour variations from one consignment to another. This is unavoidable in such a pure, natural product.

Molly is woven using wool produced without the use of chemicals and is the creation of Swedish textile designer Åsa Pärson, a graduate of Textilhögskolan, Borås and Konstfack, Stockholm. Molly is her first collection for Kvadrat. Previously, Åsa has worked with victims of landmines in Cambodia, training them to work as weavers. Her textile works have been exhibited in countries including Sweden and Japan.

  • 110
  • 112
  • 114
  • 116
  • 122
  • 152
  • 154
  • 160
  • 164
  • 166
  • 170
  • 190
  • 192
  • 194
  • 196
DesignerKvadrat
Material
  • New Wool100%

Divina Melange has been extremely well received by the market. It is a textile characterized by its lack of texture and nap and consequently the fabric accentuates the dimensions of the furniture, giving prominence to the colours.

Melange means mixture. The existing colors are produced by mixing varying proportions of either black or brown wool with white wool. The different colours of wool are mixed before the garment is spun. The new colourways have come about by dipping the two base colours in bold, virtually luminous pigments.

  • 0120
  • 0170
  • 0180
  • 0220
  • 0260
  • 0280
  • 0421
  • 0471
  • 0521
  • 0531
  • 0571
  • 0581
  • 0620
  • 0631
  • 0671
  • 0681
  • 0721
  • 0731
  • 0771
  • 0821
  • 0871
  • 0920
  • 0931
  • 0971
DesignerKvadrat
Material
  • New Wool100%

Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colours, which reveal hidden depths as the perspective of the viewer changes, it makes a strong colour statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture.

Suitable for soft seating for both contract and private use, material-dyed Divina MD is soft, comfortable and durable. A heavily milled textile, it is manufactured by weaving yarn in a plain weave and then shrinking it in a mechanical process, which uses high temperatures. This method gives it an attractive felt-like look, which is similar to Divina and Divina Melange, the other fabrics in the Divina ‘family’. As a result, the fabrics complement each other well.

Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colourways, which are all crafted from a blend of different tones, appear unicoloured from a distance, but reveal different colour nuances under closer examination.

The colour-concept behind Divina MD is designed to capture the colour-richness found in the shades and shadows of classical oil paintings. Consequently, the fabric has a uniquely vibrant look, which sets it apart from other melange textiles.

  • 0193
  • 0203
  • 0213
  • 0293
  • 0343
  • 0353
  • 0363
  • 0413
  • 0433
  • 0453
  • 0613
  • 0633
  • 0653
  • 0673
  • 0683
  • 0713
  • 0733
  • 0743
  • 0753
  • 0773
  • 0783
  • 0813
  • 0843
  • 0873
  • 0913
  • 0943
  • 0973
DesignerKvadrat
Material
  • New Wool58%
  • Viscose25%
  • Linen8%
  • Nylon5%
  • Polyester4%

Bringing a painterly use of colour to the interior, Sunniva blends colours and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colourway in the Sunniva range brings together two tones of wool, woven in a fine, flat, tweed-like pattern, and which is given a glossy top note by the addition of a small quantity of polyamide.

The wide range of colours includes a collection of natural woollen tones that have been pepped up with zesty lemons, sherbet pinks and cerise. Blended greys range from the softest blend with a warm pastel pink, through soft neutral greys to deeper blended tones of charcoal shot through with midnight blue. The more intense blends interweave complex tones of orange, and deep pink, indigo and lemon yellow.

  • 0132
  • 0143
  • 0152
  • 0172
  • 0192
  • 0236
  • 0242
  • 0352
  • 0422
  • 0532
  • 0552
  • 0632
  • 0642
  • 0652
  • 0662
  • 0672
  • 0717
  • 0752
  • 0762
  • 0772
  • 0881
  • 0932
  • 0952
  • 1079
DesignerKvadrat
Material
  • Cotton100%

A closely-woven, very short-pile velour, Harald brings the fresh, soft texture of cotton to a directionless velvety textile. The intense colour offered by this matte velour places the focus strongly onto the silhouette of the upholstered object, emphasizing its shape and contours.

Originally designed by Fanny Aronsen, this new edition of Harald has been re-coloured by Raf Simons with a palette that offers a particularly large selection of vivid keynote tones, including primrose yellow, burnt orange, raspberry, lavender, aubergine and dark mint green, alongside more natural tones. Harald is a durable fabric suitable for use as curtains as well as in upholstery.

  • 0182
  • 0192
  • 0212
  • 0242
  • 0382
  • 0432
  • 0512
  • 0552
  • 0582
  • 0612
  • 0632
  • 0652
  • 0682
  • 0692
  • 0722
  • 0772
  • 0792
  • 0942
  • 0952
  • 0982
DesignerKvadrat
Material
  • New Wool90%
  • Nylon10%

The Coda upholstery fabric is the result of collaboration between young furniture designers and an upholstery manufacturer steeped in tradition. This partnership has resulted in a classic wool upholstery fabric consisting of 90% new wool and 10% polyamide, but with a twist in the combination of colours and in the design of the weave.

Coda is woven in two layers and the colour scheme contrasts neutral and strong colours in the top and bottom layers respectively. The two-tone layer accentuates the three-dimensional character of the fabric and shows off the pattern to maximum effect. The fabric also has a strong tactile appeal by virtue of its combination of a rough surface and the sober, graphic style of the pattern.

Coda is intended for both the contract and the retail/ consumer markets. The Coda upholstery fabric received the prize of honour for excellent design in Norway in 2003 and was selected by names such as Moroso and ClassiCon for the Milan fair in 2004.

  • 0100
  • 0103
  • 0116
  • 0182
  • 0222
  • 0232
  • 0242
  • 0362
  • 0382
  • 0410
  • 0422
  • 0442
  • 0610
  • 0632
  • 0642
  • 0722
  • 0762
  • 0962
DesignerKvadrat
Material
  • New Wool94%
  • Nylon6%

Woven from bouclé yarns with a regular loop size, Vidar has a deep, tight, large-grained texture that lends itself particularly well to the graphic use of colour in upholstery. Originally designed by Fanny Aronsen, Vidar has been re-coloured by Raf Simons, with shades ranging from fresh jade green, raspberry pink and iris blue through to brick and earth tones, and easy neutrals.

The gentle satin surface finish of the weave contrasts with the deep shadowy tones in the depths, giving a multifaceted richness to the intense colours in the range. Tightly woven, without the irregularities of the other bouclé fabrics within this collection, Vidar has an inviting texture, which variously recalls blackberries, orange peel or the comforting close-knit texture of a favourite sweater.

  • 0152
  • 0182
  • 0222
  • 0382
  • 0472
  • 0542
  • 0554
  • 0572
  • 0582
  • 0622
  • 0662
  • 0672
  • 0732
  • 0752
  • 0772
  • 0782
  • 0872
  • 0932
  • 0972
  • 1062
  • 1511
  • 1880
DesignerKvadrat
Material
  • New Wool68%
  • Cotton26%
  • Nylon6%

The subtly variegated colours of Balder bring an inviting softness to upholstered furniture. Originally designed by Fanny Aronsen, and now available in new colourways developed by Raf Simons, Balder is woven from several different tones of thread in an apparently irregular weave pattern that creates subtle fluctuations in colour across the surface of the fabric.

Ranging from fresh and directional to reassuringly classic and rich, the key colourways of Balder are based around greens, greys, purples, pinks and yellow. In some instances the base colour is combined with a top note colour—in one a pink is woven together with a vibrant orange, in another with a vibrant green—with refreshing, but surprisingly understated results.

  • 0132
  • 0152
  • 0192
  • 0212
  • 0382
  • 0432
  • 0542
  • 0562
  • 0612
  • 0682
  • 0692
  • 0782
  • 0792
  • 0862
  • 0912
  • 0942
  • 0982
  • 1775
  • 2635
DesignerSørensen Leather

Prestige is a fabulous, full grain leather with an exclusive aura about it. Gorgeous to look at and stunning in any setting, it’s sumptuously soft to touch, with a slight shine on the pebbles. Run your fingers along the surface and it’s easy to get lost in the sensation of this strong yet supple leather that simply engages your senses.

  • White 40670
  • Cream 40671
  • Black 40672
  • Red 40673
  • Dark Brown 40674
  • Wine Red 40675
  • Dark Green 40676
  • Nougat 40677
  • Beige 40679
  • Cognac 40680
  • Anthrazit 40681
  • Coffee 40682
DesignerCamo Leathers

Nevada is a full-grain, vacuum-tanned, smooth aniline leather. The hide is firm, but supple with an exceptional grain. The best choice when looking for Saddle-type leather. Visible insect bites, healed wounds and fat stripes contribute to the exclusive look. Produced without the use of PCP and CFC.

Raw material: Grain leather from South German cattle hides.

  • Black NV0500
  • Brown NV2000
  • Coffee NV2034
  • Burgundy NV2301
  • Ferrari Red NV2333
  • Cognac NV2488
  • Sand NV2694
DesignerSørensen Leather

Like all passions, don’t be surprised if you find yourself irresistibly attracted to this leather by the same name. PASSION is one of the most luxurious leathers in our portfolio.

The smooth, textured surface is heaven to touch and the natural grain structure adds a 3D sensation, giving the leather an extra dimension when it comes to comfort.

PASSION has a luxuriously light, invisible protective finish that will prevent stains and the effects of excessive exposure to light.

Given its chic appearance and enticing tactile feel, PASSION is ideal for any type of project within interior décor, furniture, design objects, accessories and more. From hotels, restaurants and commercial enterprises to the arts, culture and the private sector.

It’s no coincidence that we named it PASSION, because it will seduce your senses and leaves you yearning for more.

  • Red 33532
  • Cream 33535
  • Cognac 33537
  • Brown 33538
  • Black 33539
DesignerCamo Leathers

Montana is a full grain leather with a sturdy structure. Pure aniline leather with an international shade card. Visible insect-bites and scars from healed wounds add to the exclusive look of the leather. Produced without the use of PCP and CFC.

Raw material: Grain leather from South German cattle hides.

  • Black MO0500
  • Graphite MO1241
  • Clay MO1379
  • Mocca MO2040
  • Teak MO2313
  • Brandy MO2513
  • Camel MO2691
  • Sand MO2834
  • Terracotta MO4468
  • Blue MO5150
DesignerSørensen Leather

VEGETAL is an extremely high quality, un-dyed vegetable tanned leather we feature in its original colour, which actually becomes another colour. The colour emerges from the tanning agent starting with a very light tone, which then becomes a pale pink, later transforming into a light, nut-brown, with variations from hide to hide. Soft, subtle and susceptible to light, watch the patina that appears over time, as it adds an extra dimension of character to a classic leather that’s truly a beauty. Each hide is unique, bearing the natural, discrete markings of its original owner – the cow itself!

Adding to VEGETAL’s exceptional beauty and purity is the fact that less than 1% of all hides in the world can be used for this type of leather.

  • Nature 20090
DesignerSørensen Leather

The ultimate in exclusivity, ELEGANCE is the kind of leather that makes a room come alive. And that makes you feel drawn to come over and touch it. You can feel the richness. The smoothness. Firm yet flexible with visible, natural marking, ELEGANCE is, without a doubt, a luxurious leather with substance – and soul.

  • Indian Red 20193
  • Walnut 20195
  • Mocca 20197
  • Black 20198

* Required Fields

$1,222.00 CAD
Description

Details

The Finn Juhl Reading Chair is a chair of many possibilities. Designed in 1953, it is called Reading Chair because of the horizontal frame on the seatback. The Reading Chair features an ergonomic design that sits comfortable in a variety of position. You can even sit backwards on the chair resting the arms on the frame.

MATERIALS:

  • Oak, Walnut, Teak, Black

MEASUREMENTS:

  • Seat Height: 45cm / 17.71 Inch
  • Height: 74cm / 29.13 Inch
  • Width: 52cm / 20.47 Inch
  • Depth: 58cm / 22.83 Inch
Brand
Finn JuhlIn 2000, Onecollection acquired the exclusive rights to produce Finn Juhl’s iconic furniture from the 1940’s and 50’s. Since then, the company has re-launched a comprehensive range of Juhl’s designs. In 2013, Onecollection manufactured all new furniture for the Finn Juhl Chamber at the UN Headquarters in New York. Onecollection is owned by the holding company Hansen & Sørensen ApS, which was founded in 1990 by Ivan Hansen and Henrik Sørensen. They changed the company’s name to Onecollection in 2007, but Ivan and Henrik are still the owners and managers of Onecollection. Today, the company is present in more than 30 markets. Along with the well-known Finn Juhl classics, Onecollection also manufactures contemporary furniture of a very high quality at its own factory in Ringkøbing, Denmark. Please visit www.onecollection.com to see the collection of furniture designed by Salto & Sigsgaard, Henrik Tengler, Søren Holst, Nanna Ditzel, Niels Gammelgaard, Lars Frank Nielsen, Kindt-Larsen, Søren Ulrik Petersen and Erla Òskarsdottir.
Designer
Finn Juhl Reading Chair Designed by:
  • Finn Juhl , 1953
Finn Juhl

Finn Juhl

Finn Juhl, born in Denmark in 1912, was a pioneering force in his own country. Juhl is credited along with fellow Danes Arne Jacobsen, Hans Wegner, and Poul Kjaerholm for introducing Danish modern design to mid-century America.

He began designing furniture like the 1941 Poet Sofa for use in his own home, north of Copenhagen. Juhl felt that furniture, handicraft and art should create a “completeness” of the home, which in his case was decorated with works of the Danish painters of the time.

Juhl made his American debut in 1951 at the "Good Design" exhibit in Chicago and at MoMA in New York, and he represented Denmark in creating the interior of a meeting hall at the United Nations Headquarters.

In 1998 Finn Juhl’s widow, Hanne Wilhelm Hansen, asked the Danish company, Onecollection, to help her make one of Finn Juhl’s sofas – Model 57, designed in 1957. Hanne Wilhelm Hansen wanted to have a single unit of the sofa produced for an exhibition that she wanted to arrange in honour of Juhl who had passed away in 1989. This was a fantastic challenge and this was the beginning of a new chapter in Onecollection’s history. This initial request has led to Onecollection producing many of Finn Juhl’s designs and they have exclusive rights worldwide. In 2013, Onecollection manufactured all new furniture for the Finn Juhl Chamber at the UN Headquarters in New York.

 

 

View More by: Finn Juhl