The Osso family is being completed with stools and tables. Our overall intention was to let the sensuality of the wood material express itself, a result coming from an extreme polishing thanks to the use of highly sophisticated digital control equipment and in the end, the human hand.
Among contemporary furniture manufacturers, Mattiazzi, the family owned producer of wooden furniture in Udine, Italy, is uncommon. While many producers rely on third party factories and work in diverse materials, Mattiazzi operates with their own machines and has developed a healthy obsession for woodworking. Founded in 1978, Mattiazzi has steadily cultivated its local manufacturing culture. Their network of wood shops is diverse enough to support any manufacturing process the brand may need. Every shop has its own focus, from milling to lacquering, and a particular process always belongs to a specific part of town. But don’t let the neighborhood approach confuse you: Mattiazzi is no backyard shop. Their highly specialized craftsmen operate the most sophisticated machinery available to the wood industry. An eight-axis CNC milling machine allows wood to take the complex shapes associated with injection-molded plastic. Operating such a machine is an art and Mattiazzi disproves the modern myth that mechanized manufacturing is not a craft. These designs push and exploit the potential of Mattiazzi’s craft. Their new direction is an exciting twist in a story that was already worth following.
Mattiazzi Osso Stool Designed by:
- Ronan & Erwan Bouroullec
Ronan and Erwan Bouroullec
Ronan - France, 1971 / Erwan - France, 1976
Ronan and Erwan Bouroullec’s working collaboration is a permanent dialogue nourished by their distinct personalities and a shared notion of diligence with the intention to reach more balance and fineness.
In 1997, they presented their Disintegrated Kitchen at the Salon du Meuble in Paris and were spotted by Giulio Cappellini, who gave them their first industrial design projects, notably the Lit clos (“Closed Bed”) and the Spring Chair. A meeting with Vitra’s Rolf Fehlbaum resulted in their conception of a new kind of office system, Joyn, in 2002. This was the beginning of a special partnership that has borne fruit in numerous projects, including Algues, the Alcove Sofa, the Worknest, the Slow Chair, the Vegetal and L’Oiseau. Since 2004, the Bouroullecs have also been working with Magis, for whom they have designed two complete furniture collections, Striped and Steelwood as well as additional projects such as the Pila chair, the Pilo table, the Central and Tambour tables.
Today Ronan and Erwan Bouroullec design for numerous manufacturers, Vitra, Kvadrat, Magis, Kartell, Alessi, Mattiazzi, Flos, and more recently, Iittala.