Paper, cardboard and papier-mâché are familiar to all of us. They bring back memories of kindergarten and our first experiences of making things. Inspired by classic icons but manufactured like modern day furniture, this furniture collection is an ode to classical style and to the material.
- Wooden Base, Paper and Cardboard
- Height: 23.6 inch
- Width: 15.7 inch
- Depth: 15.7 inch
- A substantial structure wrapped in the visual softness and innocence of paper.
- To clean the Paper Side Table you should first dust with a dry micro-fiber cloth, feather duster or similar. A damo cloth can also be used to remove dirt and grease.
Named after the Dutch word for beautiful – the third ‘o’ in the brand name stands for an extra value in terms of beauty and uniqueness. For more than ten years Moooi has inspired and seduced the world with sparkling and innovative designs. Marcel Wanders and Casper Vissers founded the company in 2001. The Moooi portfolio contains a range of work from many other internationally recognized designers. Its style is exclusive, daring, playful, exquisite and based on the belief that design is a question of love. Moooi takes pride in producing timeless objects of beauty which posses the uniqueness and character of antiques combined with the freshness of modern times. This fusion brings the brand to focus on the production of iconic objects. Their collection of lighting, furniture and accessory designs deliver an extra touch of creativity and beauty.
Moooi Paper Side Table Designed by:
- Studio Job , 2008
Nynke Tynagel - Netherlands, 1977 / Job Smeets - Belgium, 1970
Studio Job was founded in 2000 by Nynke Tynagel and Job Smeets, who are both graduates of the Design Academy Eindhoven, and are now based in Antwerp (Belgium) and the Netherlands. They redefine the applied arts for the contemporary age. Their collaboration has created highly expressive, mainly one-off or limited edition works, from the outset.
Often cast in bronze or, later, crafted from laser-cut marquetry, the physical potential and malleability of the materials they use is pushed to the hilt. Their approach is more in keeping with that of traditional guilds than anything industrial. For Studio Job, creation is pre-eminent over definition. Smeets describes it thus: “Unlike most, we are probably not coming from Modernism. Studio Job’s contribution is that we have rediscovered a lost path. Consciously and carefully, we are positioning decorative arts in the twenty-first century. Is that design? Whatever. Is that art? Whatever, really.”
Studio Job’s work is widely collected both in the private and public sectors. Although, by definition, their work has primarily been geared towards collectors and museums, Studio Job has collaborated successfully with various likeminded brands eg. Bulgari, Swarovski, Bisazza, Venini, Land Rover, Viktor & Rolf and Moooi. There have been solo exhibitions in eg New York, Tokyo, Los Angeles, Paris, London, Milan, Geneva, Miami and Basel. Today, Studio Job designs are in collection of more than 40 museums worldwide.