Ward Bennett took inspiration for this chair from the hammock-style chaise transatlantique. An early version appeared in 1964; by 1968, Bennett had refined the design, settling on rectangular sections.
- Height: 33 Inch
- Width: 24 Inch
- Depth: 30 Inch
In 1964 John Geiger was building furniture by hand—while building a culture of quality that flourishes today. His love of and respect for the materials he worked with set new international standards in wood furniture manufacturing. Today, Geiger’s excellent reputation for design, engineering and craftsmanship continues to enhance business interiors with an elegant and intelligent portfolio of great design for the modern office. Geiger defines great design as design that shapes the customer’s work in smart and innovative ways, touching their heart and satisfying their intellect.
Geiger Scissor™ Chair Designed by:
- Ward Bennett
US, 1917 - 2003
Ward Bennett's story is a remarkable one. His career began at age 13, when he quit school to work in the garment district in New York City. At 15, he designed his first clothing collection; at 16 he left for Europe, where he continued working on fashions.
While in Europe, he attended art schools in Florence and Paris, but he was mostly self-taught, with skills that ranged from illustrating, sculpting, and jewelry-making to furniture, interior, and home design. "I learn from people," he once said, referencing a long line of influences, including Hattie Carnegie, Hans Hoffman, and Georgia O'Keefe.
Simplicity and comfort were always his goals, and Bennett says he learned a great deal about lumbar support, the importance of chair arms, and designing the right "pitch" from working with the doctor who treated John F. Kennedy's bad back.
Indeed, Bennett designed more than 150 chairs, many of which have become classics, such as the Landmark chair, reintroduced by Geiger in 1993. (Bennett began working with Geiger in 1987, following his collaboration with Brickel Associates.)
Bennett, who died in 2003, is also considered the first American to use industrial materials for home furnishings, well before the high-tech look of the 1970s became popular. He was hailed by the American Institute of Architects for "transforming industrial hardware into sublime objects."