A Chinese-style stool featuring a pattern in homage to Roy Lichtenstein with the dots from his paintings.
- Mass-dyed Thermoplastic Technopolymer
- Height: 43 cm / 16.875 inch
- Diameter: 45 cm / 17.75 inch
Kartell's company story shines through in each and every one of its products. A commitment to the ever changing and advancing technology and versatility of plastic, Kartell's primary material, is at the heart of this Italian design house. Design integrity and innovation is another core element of Kartell's operations, highlighted by its partnerships with internationally aclaimed designers. Kartell's design roster includes Philippe Starck, Partricia Urquiola, Enzo Mari, Piero Lissoni, Vico Magistretti, Alberto Meda, Ferruccio Laviani and Ron Arad, among other top talent.read more...
Over a 63 year history, Kartell has positioned itself in the forefront of contemporary interior design, building an impressive resume of prestigious awards including several Compasso d'Oro awards - the oldest industrial design award in Europe. New York's Museum of Modern Art is also a collector of Kartell for its permanent collection, including the iconic modular Componibili storage unit by Anna Castelli Ferrieri.
Kartell's comprehensive catalogue includes a vast selection of products ranging from wall hooks to sofas - all available in bold beautiful colours and, of course, in Kartell's signature material: plastic. Proving that plastic can be beautiful has been a challenging goal exquisitely achieved by this design company. Kartell's products can be found and celebrated in private homes and public spaces all over the world. www.kartell.it
Kartell Roy Stool Designed by:
- Alessandro Mendini , 2016
His design has been characterized by his strong interest in mixing different cultures and different forms of expression; he creates graphics, furniture, interiors, paintings and architectures and wrote several articles and books; he is also renowned as an enthusiastic member of jury in architectural competition for young designers. He also teaches at the University of Milan.
Mendini graduated from Politecnico di Milano in 1959 with a degree in architecture and worked as a designer with Marcello Nizzoli. He was the editor-in-chief of a magazine from 1980 to 1985 and changed the landscape of modern design through his quintessential works of post-modernism, such as the Proust Armchair and the Groninger Museum. Just as works of the Renaissance period expressed human values and sensibilities, Mendini has contributed to bringing into the heart of design those “values” and “sensibilities” that have been eclipsed by commercialism and functionalism. He collaborates with leading international brands including Cartier, Hermes, and Swarovski.
Currently he runs his own practice in Milan, the Atelier Mendini, together with his brother Francesco Mendini.