The Spore is a unique and creative pendant. It consists of a pebble-shaped, transparent crystal blown glass diffuser, suspended from the chrome plated base in the ceiling. The eight LED lamps hang inside the diffuser at various heights.
- Massimo Iosa Ghini
- Transparent Crystal Blown Glass, Chrome-plated Metal
- Max Height: 180 cm / 70 7/8 Inch
- Diffuser Height: 43 cm / 16 7/8 Inch
- Diffuser Width: 36 cm / 14 1/8 Inch
- Diffuser Depth: 28 cm / 11 Inch
- Canopy Diameter: 18 cm / 7 1/8 Inch
- 8 x 3W LED 1600lm 3000K
- cUL listed
Dare. The story Leucos tells to contemporary times is a long, vital and interesting one. A story which began in the sixties calling into question the historical relation between shape and material: it was a revolution. The protagonist was glass, taken away for the first time from the traditional logics of glass art and reinterpreted in an absolutely new way. Taking into consideration the tradition, of course, but also looking at innovative materials and technologies, and reconsidering serial production as an added value to design: the repetition became a multiplication of beauty, and the accessibility an opportunity to offer resources to the creative process.
Leucos Spore S Suspension Lamp Designed by:
- Maarten Baas
Dutch designer Maarten Baas (19/02/1978) was born in Arnsberg, Germany and moved to The Netherlands in 1979 where he grew up. Upon graduating from high school in 1995 he began his studies at the prestigious Design Academy Eindhoven.
Baas designed the candleholder Knuckle, which was taken into production by Pols’ Potten, while he was still studying. In 2000 he studied for several months at the Politecnico di Milano, in Milan. In June 2002 he graduated from the Design Academy Eindhoven with two concepts. One of them being the now famous and generally known Smoke series, for which Baas charred furniture and treated the torched skeletons with a coating, turning them into useable pieces of furniture again.
Three of these Smoke pieces became part of the collection of Marcel Wanders’ international design label Moooi, who launched them during the Salone del Mobile in 2003, where they were welcomed with applause. This sensation was followed by a solo-show at Moss gallery in New York, one year later, where the Smoke series were expanded by design classics from the 20th century, including pieces by Rietveld, Eames, Gaudi and Sottsass.
Soon the Smoke collection was considered by museums, critics, collectors and the design public as an iconic collection of modern design and Smoke has been taken into several permanent collections of influential museums around the world (a.o Victoria & Albert Museum, Groninger Museum, Montreal Museum of Fine Arts).
In 2005 Baas began collaborating with Bas den Herder, who is now responsible for the production and development of almost all of Maarten Baas’s designs. The founding of Studio Baas & den Herder made it possible to further work out Maarten’s unique, handmade pieces and to produce them on a larger scale. This new collaboration also allows Baas to take on even more ambitious projects for hotels, restaurants, galleries, museums and private commissioners from all over the world.