Modern Furniture, Lighting, and Home Accessories

Always Authentic
800360-006

Maharam Optik Pillow, White/Black

Brand

maharam
Starting at: $200.00 CAD
$200.00 CAD

Description

Maharam pillows feature celebrated textile designs from the twentieth and twenty-first centuries, from re-editions of the work of Charles and Ray Eames, Alexander Girard and Verner Panton to recent collaborations with Hella Jongerius, Paul Smith, Scholten & Baijings, MORE INFO
$200.00 CAD
Description

Details

Maharam pillows feature celebrated textile designs from the twentieth and twenty-first centuries, from re-editions of the work of Charles and Ray Eames, Alexander Girard and Verner Panton to recent collaborations with Hella Jongerius, Paul Smith, Scholten & Baijings, and Studio Job.

MATERIALS:

  • 76% Cotton
  • 24% Polyester
  • Cotton insert with duck feather fill

MEASUREMENTS:

  • Width: 17 inch
  • Height: 17 inch
  • Depth: 5 inch

HELPFUL NOTES:

  • Dry clean only
Brand
Maharam

Other Herman Miller brands:

  • Herman Miller
  • geiger
  • magis

Maharam was founded in 1902 by Louis Maharam, a Russian immigrant. Through the generations, Maharam evolved from a source of theatrical textiles for costume and set design in the 1940s to a pioneer of performance-driven textiles for commercial interiors in the '60s.

Designer
Maharam Optik Pillow, White/Black Designed by:
  • Verner Panton
Verner Panton

Verner Panton

Denmark, 1926 - 1998

Verner Panton was a master of the fluid, futuristic style of 1960s design that introduced the Pop aesthetic to furniture and interiors. Born in Denmark, he made his name there before settling in Switzerland in the 1960s.

Nothing in Verner Panton’s childhood suggested that he might become a designer but meeting Pøul Henningsen at the Royal Academy of Art introduced Panton to product design. An equally important influence was Arne Jacobsen, whom Panton assisted from 1950 to 1952 on various projects including the famous 1951-52 Ant Chair. Panton later claimed he had “learned more from him than anyone else.”

In 1955, Fritz Hansen began production of Panton’s Bachelor Chair and Tivoli Chair. But it was not until the Cone Chair’s introduction in 1959 that Panton came into his own with a truly distinctive style. A thinly padded conical metal shell placed point-down on a cross-shaped metal base. A Danish businessman, Percy von Halling-Koch, spotted it at a restaurant opening and offered to put it into production for Panton. When it was photographed for Mobilia, the Danish design magazine, in 1961, Panton draped naked shop mannequins and models on the chairs, which caused a minor scandal. The Cone Chair even attracted controversy in New York, after the police ordered that it be removed from a shop window where large crowds had gathered to see it.

Panton settled in Basel in where he began a long collaboration with Vitra, the European licensee of Herman Miller, the US furniture maker. They launched the Flying Chair, a playful piece of fantasy furniture, which was the hit of the 1964 Cologne Furniture Fair, and developed the 1967 Panton Chair, the first cantilevered chair made from a single piece of plastic. Sleek, sexy and a technical first, the Panton was the chair of the era. A glossy red Panton featured in Nova magazine’s 1970 shoot in which a model demonstrated “How to undress in front of your husband.”

Verner Panton’s popularity faded but in 1995 British Vogue featured a naked Kate Moss on a Panton Chair on its cover. His 1960s pieces were put back into production and he was invited to design an exhibition, Verner Panton: Light and Colour, at Trapholdtmuseum in Denmark. The exhibition opened as planned on 17 September 1998, but Panton had died in Copenhagen twelve days earlier.

View More by: Verner Panton