The architect and designer Alexander Girard was one of the leading figures in American design during the postwar era. His passion for colours, patterns and textures found expression in the field of textile design, which was a focal part of his oeuvre.
In his work, Girard paired motifs from folk art sources with abstract patterns. Many of his figures and patterns exude a cheery playfulness, and thanks to their vivid colours, even his simplest graphic motifs possess a high degree of differentiation.
The Graphic Print Pillows are now bringing a number of these designs to life again: abstract graphics and expressive fi gurative motifs create striking accents. The soft pillows are optimally suited as a decorative accessory for a diverse range of interior styles.
- Filling: Duck half down.
- Fabric: 100% cotton, printed.
- 30 x 40 cm / 11 3/4 x 15 3/4 inch
- Inkjet-printed washable pillow covers
- This Pillow has blue eyes on one side and green eyes on the reverse side (The image represents one pillow)
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Their products and concepts are developed in an intensive design process, bringing together engineering excellence with the creative genius of today’s leading international designers. It is Vitra’s goal to create furniture and accessories that are functional and inspiring. Founded in 1950, Vitra produces many products from internationally recognized designers such as Verner Panton, Isamu Noguchi, Eero Saarinen and Jasper Morrison.
Vitra Graphic Print Pillow Eyes Designed by:
- Alexander Girard , 1961
USA, 1907 - 1993
"Art is only art when it is synonymous with living." - Alexander Girard
One of the most prolific mid-20th century designers, Girard’s work spanned many disciplines including textile design, graphic design, typography, illustration, furniture design, interior design, product design, exhibit design, and architecture.
Born in New York City and raised in Florence, Girard was educated in Europe as an architect. He began practicing architecture and interior design in the late 1920s. Girard developed a friendship with Charles Eames in the 1940s when the two men realized they had coincidently designed almost identical modern radio cabinets and were both experimenting with plywood chairs.
Alexander Girard became director of design for Herman Miller's textile division in 1952, a time when fabrics, especially in the office, tended toward the utilitarian, drab and pattern-less. “People got fainting fits if they saw bright, pure color,” Girard commented at the time. At Herman Miller, Girard had the freedom to express himself. With primary colors, concise geometric patterns, and a touch of humor, he injected joy and spontaneity into his designs. During his tenure, he created over 300 textile designs, wallpapers, prints, furniture, and objects. Girard's work with Herman Miller continued until 1973.
Girard's reputation soared in 1959, when his colourful, whimsical interior design of the La Fonda del Sol restaurant in New York electrified the public. He designed the entire experience for the restaurant—interior, graphics, table settings and staff uniforms. In the mid 1960s Girard designed more than 17,000 different items for Braniff International Airways—from logos to uniforms to lounge furniture.
Girard's risky, sometimes iconoclastic fabrics were inspired not by a vision of the future but by a love of international folk art. His passion for what he called “toys” led him around the globe, amassing a collection of roughly 106,000 pieces. These colorful, whimsical objects inspired him, as his designs continue to inspire us.