Along with his colleagues Charles and Ray Eames and George Nelson, Alexander Girard was one of the leading figures in American design during the postwar era. While textile design was the primary focus of Girard‘s oeuvre, he was also admired for his work in the graphic arts as well as furniture, exhibition and interior design. Girard brought a sensuous playfulness to twentieth-century design that had been absent from the austere aesthetic of classic modernism.
In his work as an interior designer, Girard created a number of concepts for restaurants that went beyond color schemes and furnishings to encompass such details as menu cards, matchboxes, tableware and napkins. The Paper Napkins come in assorted motifs created papernapkinsby Girard for various purposes and selected by Vitra in cooperation with the Girard family. In the short time since their introduction, the Paper Napkins have become so popular that the collection is being expanded with new colors and motifs. This offers an even wider range of decorative options for dining tables.
- Airlaid cellulose
- Small: 25 cm / 9 3/4 inch x 25 cm / 9 3/4 inch
- Large: 40 cm / 15 3/4 inch x 40 cm / 15 3/4 inch
- High-quality airlaid napkins with linen-like embossing, printed in one to four colours
- 12 individual napkins per package.
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Their products and concepts are developed in an intensive design process, bringing together engineering excellence with the creative genius of today’s leading international designers. It is Vitra’s goal to create furniture and accessories that are functional and inspiring. Founded in 1950, Vitra produces many products from internationally recognized designers such as Verner Panton, Isamu Noguchi, Eero Saarinen and Jasper Morrison.
Vitra Paper Napkins Designed by:
- Alexander Girard , 1953-1961
USA, 1907 - 1993
"Art is only art when it is synonymous with living." - Alexander Girard
One of the most prolific mid-20th century designers, Girard’s work spanned many disciplines including textile design, graphic design, typography, illustration, furniture design, interior design, product design, exhibit design, and architecture.
Born in New York City and raised in Florence, Girard was educated in Europe as an architect. He began practicing architecture and interior design in the late 1920s. Girard developed a friendship with Charles Eames in the 1940s when the two men realized they had coincidently designed almost identical modern radio cabinets and were both experimenting with plywood chairs.
Alexander Girard became director of design for Herman Miller's textile division in 1952, a time when fabrics, especially in the office, tended toward the utilitarian, drab and pattern-less. “People got fainting fits if they saw bright, pure color,” Girard commented at the time. At Herman Miller, Girard had the freedom to express himself. With primary colors, concise geometric patterns, and a touch of humor, he injected joy and spontaneity into his designs. During his tenure, he created over 300 textile designs, wallpapers, prints, furniture, and objects. Girard's work with Herman Miller continued until 1973.
Girard's reputation soared in 1959, when his colourful, whimsical interior design of the La Fonda del Sol restaurant in New York electrified the public. He designed the entire experience for the restaurant—interior, graphics, table settings and staff uniforms. In the mid 1960s Girard designed more than 17,000 different items for Braniff International Airways—from logos to uniforms to lounge furniture.
Girard's risky, sometimes iconoclastic fabrics were inspired not by a vision of the future but by a love of international folk art. His passion for what he called “toys” led him around the globe, amassing a collection of roughly 106,000 pieces. These colorful, whimsical objects inspired him, as his designs continue to inspire us.