The Miniatures Collection present the most important classics of modern furniture history in miniature in a scale of 1:6. Their construction, materials and colors correspond to the historical Vitra Design Museum collection original, right down to the last detail. Because they are so true to the originals, the miniatures are not only valuable collector's items, but also ideal illustrative material for universities, colleges of designs and architects. The Miniatures Collection is unique worldwide. For each miniature there is a licence agreement with the designer or his heirs. Many designers collaborate with Vitra to develop the miniatures of their own designs and offer their assistance by supplying information on the objects. In return, Vitra honor the designer's copyright by paying royalties.
- Plywood Seat, Layers Glued Frame, Lacquered
- Height: 9.8 cm / 3 7/8 inch
- Width: 10.4 cm / 4 1/8 inch
- Depth: 14.6 cm / 5 3/4 inch
- Each miniature is packaged in a wooden box, accompanied by an informational booklet.
- Each of the delicate objects are made by hand; on average, each miniature requires five hours of careful manual work. Ongoing quality control ensures that every miniature corresponds to its larger original in terms of finishing, details and materials.
Twenty years ago the Vitra Design Museum in Weil am Rhein began making miniature replicas of the great milestones in furniture design housed in its collection. A summary of the history of industrial furniture design – moving from the historic and art nouveau to the new Bauhaus’ radical design, and from postmodernism all the way up until the present day – the collection has grown to include more than 100 pieces. The chairs are all one sixth of the size of the originals. They are all true to scale and replicate the originals right down to the smallest details in construction, material and color.
Vitra Miniatures Art. 41 Paimio Designed by:
- Alvar Aalto , 1930
Finland, 1898 – 1976
Finland’s most famous architect and designer, Alvar Aalto reshaped the architecture and furniture of public buildings on the basis of functionality and the organic relationship between man, nature and buildings. He is known as the “Father of Modernism.”
Born in 1898 in Finland, Alvar Aalto studied at the Helsinki University of Technology, graduating with a degree in architecture. In 1924 Aalto and his wife honeymooned in Italy. The Mediterranean culture had a profound influence on Aalto’s creative process, blending his Nordic intellect with the natural ornamentation of Northern Italian landscape and architecture. In 1927 the Aaltos moved to the city of Turku in Finland. Aalto designed the Paimio Sanatorium, a building that elevated him to the status of master of heroic functionalism. His design for the Villa Mairea in Noormarkku, is one of the most admired private residences in contemporary architecture.
In 1933 Aalto moved to Helsinki. There he founded his architecture firm, Artek, where he executed major international commissions, such as the Finnish Pavilions for the 1936 Paris World Fair and the 1939-1940 New York’s World Fair. Aalto’s architecture, furniture and glassware evokes multiple allusions to images of unspoiled nature. Aalto’s creativity was deeply rooted in his own organic way of life and the traditions of the Scandinavian countries. Aalto was featured on the last series of the 50 Finnish mark bill, before the Euro was introduced. He died in 1976 in Helsinki, Finland.