Flos Bibliotheque Nationale Lamp

The Biblioteque Nationale also serves as a strikingly modern bookshelf and offers a convenient portable device charger. The base, rod stand, and diffuser of this standing floor lamp are made of chrome-plated, die-cast zinc; the base cover is a zinc-plated P04 steel sheet. The internal diffuser and lamp-holder stand are opal color-injected die-stamped PCs, and the upper ring is a clear injection die-stamped PC. Brackets are polished stainless stee

MEASUREMENTS:

• Shade Diameter: 15.75 inch
• Height: 59.1 inch

MATERIALS:

• Polycarbonate, Stainless Steel, Methacrylate

HELPFUL NOTES:

• LED Lamp 21W E26 120V 2700K A65 (Bulb Not Included)
• Charger USB 5VDC (Included)
• Switching: 0-100% dimmer installed on the cord
• Dimmer not included

Philippe Starck

France 1949

“I like to open the doors of the human brain” - Philippe Starck

School dropout Philippe Starck jump-started his career by designing two nightclub interiors in Paris in the 1970s. The success of the clubs won the attention of President Francois Mitterand, who asked Starck to refurbish one of the private apartments in the Elysee Palace. Two years later, Starck designed the interior of the Café Costes, in Paris and was on his way to becoming a design celebrity. In quick succession, he created elegant interiors for the Royalton and Paramount hotels in New York, the Delano in Miami and the Mondrian in Los Angeles. He also began to produce chairs, lamps, motorbikes, boats and a line of house wares and kitchen utensils, like his Juicy Salif for Alessi.

During the 1980s and 90s Starck continued his prolific creativity. His products have sensual, appealing forms suggestive of character or personal identity and Starck often conferred upon them clever, poetic or whimsical names (for example, his La Marie chair and playful Prince Aha stool). Starck’s furniture also often reworks earlier decorative styles. For example, the elegant Dr. No chair is a traditional club chair made unexpectedly of injection-molded plastic. While the material and form would seem to be contradictions, it is just such paradoxes that make Starck's work so compelling. Starck’s approach to design is subversive, intelligent and always interesting.

His objects surprise and delight even as they transgress boundaries and subvert expectations. During the 90s Starck has also begun to promote product longevity and to stipulate that morality, honesty and objectivity become part of the design process. He has said that the designer's role is to create more “happiness” with less. For all his fame Starck’s work remains a serious and important expression of 20th century creativity.

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