Flos Superarchimoon Floor Lamp

A brilliant play on perspective, Superarchimoon feels oversized and magnificent, providing direct and diffused light via a pleated cloth external diffuser and acid-etched, hand-blown glass internal diffuser. The diffuser support is sandcast aluminum, and the gray-painted assembly is composed of tubular aluminum arms and tie rods, a stainless steel spring, and die-cast aluminum joints. The sand-cast aluminum base features six lead counterweights and a painted gray spun-aluminum base cover.

MEASUREMENTS:

• Diffuser Diameter: 21.65 inch
• Height: 14.96 inch
• Arm Length: 95.27 inch
• Height: 84.25 inch
• Base Diameter: 31.10 inch

MATERIALS:

• Acid-etched hand-blown pressed borosilicate glass internal diffuser
• Plissé cloth external diffuser. Sand-cast, aluminum diffuser support
• Grey painted assembly composed of tubular aluminum arms and tie rods, stainless steel springs, and die-cast aluminum joints
• Sand-cast aluminum base with grey painted spun aluminum cover

HELPFUL NOTES:

• LED Lamp E26 21W 120V 2700K A65 (Not Included)
• Environment: Indoor - Dry Location
• Dimmer installed on the cord

Philippe Starck

France 1949

“I like to open the doors of the human brain” - Philippe Starck

School dropout Philippe Starck jump-started his career by designing two nightclub interiors in Paris in the 1970s. The success of the clubs won the attention of President Francois Mitterand, who asked Starck to refurbish one of the private apartments in the Elysee Palace. Two years later, Starck designed the interior of the Café Costes, in Paris and was on his way to becoming a design celebrity. In quick succession, he created elegant interiors for the Royalton and Paramount hotels in New York, the Delano in Miami and the Mondrian in Los Angeles. He also began to produce chairs, lamps, motorbikes, boats and a line of house wares and kitchen utensils, like his Juicy Salif for Alessi.

During the 1980s and 90s Starck continued his prolific creativity. His products have sensual, appealing forms suggestive of character or personal identity and Starck often conferred upon them clever, poetic or whimsical names (for example, his La Marie chair and playful Prince Aha stool). Starck’s furniture also often reworks earlier decorative styles. For example, the elegant Dr. No chair is a traditional club chair made unexpectedly of injection-molded plastic. While the material and form would seem to be contradictions, it is just such paradoxes that make Starck's work so compelling. Starck’s approach to design is subversive, intelligent and always interesting.

His objects surprise and delight even as they transgress boundaries and subvert expectations. During the 90s Starck has also begun to promote product longevity and to stipulate that morality, honesty and objectivity become part of the design process. He has said that the designer's role is to create more “happiness” with less. For all his fame Starck’s work remains a serious and important expression of 20th century creativity.

Shop all designs by Philippe Starck

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