Knoll Florence Knoll® Dining Table
Florence Knoll’s designs are reserved and cool, severe and angular, reflecting the objective perfectionism of the early 1960s. Based on dimensions from the archive, the Dining Table can also be used as a meeting table.
MEASUREMENTS:
- Top (Square): 140 x 140 cm / 55.1 x 55.1 inch
- Top (Small Rectangular): 152.5 x 91.5 cm / 60 x 36 inch
- Top (Medium Rectangular): 200 x 90 cm / 78.7 x 35.5 inch
- Top (Large Rectangular): 240 x 100 cm / 94.5 x 39.4 inch
- Height: 72 cm / 28.4 inch
MATERIALS:
- Marble top has a transparent polyester coating in polished or satin finish to help eliminate use-associated stains
- Legs are polished chrome
HELPFUL NOTES:
- The 78" x 35" and 94" x 39" rectangular tables include hidden cross bars to help prevent any deflection of the marble
Florence Knoll
USA, 1917
Born Florence Schust in 1917, and orphaned at age 12, Knoll began her architectural studies at the Kingswood School in Michigan and was virtually adopted by the family of Eliel Saarinen. She continued her studies at Cranbook Academy of Art, the Architectural Association in London, and the Illinois Institute of Technology under Mies van der Rohe, where she received her architectural degree. In 1946, she married Hans Knoll, owner of the Hans G. Knoll Furniture Company and the firm became known as Knoll Associates, Inc.
As an architect, interior space planner, and furniture designer, Florence Knoll defined the look and market for modern design in corporate America in the 1950s and made modern American design an international style. Her pioneering interiors profoundly influenced post-World War II design. Her reductive aesthetic of light, open spaces furnished with elegant woven fabrics, furniture grouped for informal conversation and brightly colored wall panels made Knoll one of the most influential design firms of the time.
Her notable planning projects for the firm included the interior design of the CBS, Seagrams, and Look magazine offices in New York City. After her husband’s death, Florence served as president and continued as design director of the company until 1965 when she resigned to pursue a career as a freelance designer.
Knoll has lived their guiding principle, "good design is good business," since 1938. Products are all created to inspire, fit, and last. The Bauhaus philosophy that furniture should complement, not compete with architecture, is central to Knoll’s design. Its extensive portfolio includes office work systems, residential mid-century modern classics, textiles, and accessories.
Designers like Harry Bertoia, Eero Saarinen, Warren Platner, Isamu Noguchi, and Florence Knoll contributed to Knoll’s iconic designs. Knoll invests in research and field studies and explores organizational behavior and technology to ensure quality excellence. As a leader in sustainability, Knoll’s practices reduce waste and conserve resources. Based in Pennsylvania, Knoll has a strong international presence, and 40 products are in the permanent collection of the Museum of Modern Art in New York.
Knoll products incur a 7.5% shipping charge at checkout, with a minimum of $85 and maximum of $500. This fee reflects White Glove Delivery for large items, which includes bringing the item to your room of choice, unpacking, removal of packaging, and assembly.
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